Available Originals
Seven works currently held in the studio. Each is available for purchase or for private viewing by appointment in Yzerfontein, Cape Town. Inquire for high-resolution images, condition reports, or to arrange a visit.
A meditation on the fragmented nature of being human and the quiet catharsis of finally arriving at an important realisation. The work assembles disparate pieces — colour, mark, gesture — into something that holds together not in spite of its fragmentation, but because of it. Sometimes clarity comes not as a clean answer, but as the moment all the broken parts agree.
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A celebration of victory over death — of the moment when what was buried rises again. Resurrection meditates on the central promise at the heart of the Christian faith: that suffering does not have the final word. The work holds grief and triumph in the same frame, refusing to let one cancel the other.
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The result of research undertaken during the artist's final year at the University of South Africa, this painting stands as a reminder that no matter how hard life gets, the flowers are still there — if you look. The fragmented figure, holding a single bloom in an open hand, sits among soft pastels and half-drawn flowers that surround the work like quiet evidence. A study in resilience and the discipline of seeing what remains.
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This painting encompasses fragments of addiction, grief, sorrow, anger, and mourning — all carried by faith. It is not a complaint or a cry for help; it is vulnerability embodied and reclamation in action. A celebration of faith through struggle and suffering.
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Part of the Apocalypse Horse series, Endgame meditates on modern existential dread — the slow unraveling of interconnected global systems and the political instability that shadows daily life. The horse, fragmented and adorned with strange offerings, becomes a reluctant witness to a collapsing order. Toy-like forms gather around it, as though play and catastrophe occupy the same room.
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A contemporary reflection on the dangers of complacency and disobedience. Even as the fate of mankind is forever changed and his world turned upside down, Adam is at ease. The painting holds up an uncomfortable mirror and asks the viewer a question that doesn't let go: what are you at ease with in your life that you know you shouldn't be?
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A reminiscence of the beauty and movement of music and colour, tapping into multidimensionality to depict the artist's lived experience with synesthesia. The horse — flowering, perched at a piano — becomes the body that music makes when sound and sight refuse to stay separate. Cloud, piano, bloom, and stripe occupy the same scene because, in the artist's experience, they always have.
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Selected works are available through partner galleries.
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